Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the über-controlling parents terrorize their offspring into submission. The father is the only family member who can leave the manicured lawns of their self-inflicted exile, earning their keep by managing a nearby factory, while the only outsider allowed on the premises is his colleague Christina, who is paid to relieve the son of his male urges. Tired of these dutiful acts of carnality, Christina disturbs the domestic balance.

When Trudi learns that her husband Rudi is dangerously ill, she suggests visiting their children in Berlin without telling him the truth. As Franzi and Karl don't care much about their parents, Trudi and Rudi go to the Baltic Sea, where Trudi suddenly dies. Rudi is thrown out of gear, even more when he learns that his wife wanted to live a totally different life in Japan...